Staff Picks: Catch a 100 Foot Wave and a GTA IV playthrough
Longtime readers of The A.V. Club may remember a time when we used to publish Staff Picks—curated recommendations from our writers based on what they're currently watching, playing, listening to, or reading. As we continue to revive classic series and introduce new ones, we’re putting Staff Picks back in the rotation. Look for them every other Saturday (on off-weeks, we’ll have a new AVQ&A) .This week, we have two very different but equally great picks for you from staff writers William Hughes and Emma Keates, who tout a YouTube series featuring a comedian who's found a new and exciting way to play Grand Theft Auto and an HBO docuseries for those who want to keep the Olympics vibe going all year round.William HughesGTA IV: The Fast Traffic Playthrough (YouTube)In a world where just about every hopeful gaming streamer seems obsessed with finding a gimmick, it’s rare to stumble into a genuinely excellent idea. So imagine my recent surprise when The Almighty Algorithm pointed me toward a new YouTube series by Australian comedian Tom Walker, with one of the most genuinely hilarious premises I’d ever seen a streamer adopt. Walker—who I’ve quickly become a big fan of, thanks to a combination of genuine wit and a clear joy in subjecting himself to some truly terrible gaming ordeals—was playing through 2008 crime gaming classic Grand Theft Auto IV, with one key difference: All of the other cars were moving very fast.Not “sports car” fast. Not even “moving plane” fast. Bullet fast. And just as lethal.As collected in what are now eight YouTube edits of his streams (and counting!), Walker has essentially created an automotive version of hell for him and hapless, frequently pancaked protagonist Niko Bellic to suffer through. With every car in the game world except his modded to go from 0 to 10,000 in less than a second, the viewer gets to watch Walker suffer through a world where death is lurking at every intersection, and where every single effort to simply cross the street becomes a horrifying war with the God of Cars. The effect is to take even the simplest of actions from the base game of Grand Theft Auto IV—running errands, making deliveries, and, yes, taking your various needy friends and romantic partners bowling—and render them as Herculean efforts. Walker, meanwhile, is the perfect tour guide through this gas-powered Tartarus, offering up an indefatigable resistance to frustration even as the game seems to find ever-new places to spawn a car that will demolish all his progress quicker than the blink of an eye.It’s not just that Walker has created something extraordinarily difficult with this modded version of the game—even as he sometimes takes several hours of condensed work just to clear a single one of the game’s early missions. It’s that he’s made an incredible piece of digital slapstick, a joke-telling machine where the joke, inevitably, is “And then a car hits everyone at the single worst possible moment, exploding all parties.” It’s the only appointment “television” in my life at the moment; I’m still working to get through The Bear, but every time I see a new video of Walker desperately trying to convince “the cars” not to take something from him, I know I’ve got my evening entertainment set. (Meanwhile, I’m also halfway convinced that this would make an incredible premise for a video game, period. Masocore games already delight in taking very simple actions and rendering them into horrifically complicated and painful quests; making a version of Frogger that’s basically a horror game with cars as the killers stalking you has a ton of gameplay potential.)Emma Keates100 Foot Wave, seasons 1 and 2 (Max)If this year’s Olympic Games have shown us anything (well, other than that French pole vaulter’s… you know) it’s that surfing is really fucking scary. Once dismissively characterized as a sport for bushy blonde California bros hangin’ ten and catchin’ barrels, the awesome and blood-curdling power of Teahupo'o, Tahiti’s “Wall of Skulls,” seems to have finally awoken the rest of world (and Colin Jost) to the unbelievable feats—and almost unfathomable risks—these athletes undertake every day. But if Tahiti represents the frothy beginning of a new chapter for big wave surfing—at least in the eye of the landlocked public—its prologue was written over a decade ago, when a man named Garrett McNamara hopped on his board and rode a monster, 78-foot wave straight into the history books from the coast of a small Portuguese fishing village called Nazaré.McNamara’s journey to conquer this watery Everest—and almost drown a million times in the process—is chronicled to gorgeous and heart-pounding effect in HBO’s 100 Foot Wave, a docuseries that feels sort of like the lovechild of Planet Earth and The X Games, with a little early-series Game Of Thrones “anyone could die at any moment” anxiety mixed in for good measure. (It’s obviously worse here because this is, you know, real.) Directed by Chris Smith (American Movie,
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